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2019
My main gigging guitar for the last 5 years. The semi-hollow body gives it that warm, woody tone perfect for jazz and blues. Cherry red finish, Burstbucker pickups.

1965
My pride and joy — a genuine '65 Strat I picked up at an estate sale in Austin. Original pickups, original tremolo, original sunburst finish. Plays like a dream.

2024
Three years in the making. Signal chain: TC PolyTune 3 → Ibanez TS9 Tube Screamer → Boss DS-1 → MXR Phase 90 → Strymon BigSky reverb. Every pedal earns its place on this board.

2022
My go-to recording amp. The Blues Junior IV has that classic Fender clean headroom with just the right amount of breakup when you push it. Paired with my Strat it's pure Texas blues magic.

1975
A genuine 1975 Gibson F-5 that I've been playing for 30 years. The carved spruce top has opened up beautifully over the decades — the tone is rich, complex, and full of overtones. Bill Monroe played one just like this. If you ever get the chance to play a vintage F-5, don't pass it up.

2021
The StingRay Special is everything I ever wanted in a bass. The roasted maple neck is silky smooth, the ceramic pickup has that classic Music Man growl, and the 18V preamp gives you incredible headroom. I play it through an Aguilar Tone Hammer 500 and it absolutely sings.

2020
My go-to bluegrass banjo. The open-back design gives it a softer, more mellow tone compared to resonator banjos — perfect for old-time and folk styles.

2022
Solid mahogany concert uke with a warm, mellow tone. Great for campfire sing-alongs and Hawaiian slack-key arrangements. Stays in tune beautifully.

2018
Carved curly maple top and back with a gorgeous sunburst finish. The tone is crisp and punchy — ideal for bluegrass flatpicking and Celtic sessions.

2019
Vintage sunburst Jazz Bass with original-style pickups. The low-end punch on this thing is unreal — perfect for jazz, funk, and everything in between.

2023
My go-to nylon string for classical practice. Taylor's ES-N electronics make it versatile for both practice and performance. The ES bracing gives it incredible projection.

2022
My Custom 24 in Faded Whale Blue. The 85/15 pickups cover everything from clean jazz to high-gain metal. The neck profile is absolutely perfect for fast playing.

2021
Martin makes the best tenor ukuleles, period. The 0X Mahogany has that classic Martin warmth and sustain. The tenor scale gives you more room for complex chord voicings and fingerstyle arrangements. I've played it at open mics and people always comment on the tone. Worth every penny.

2020
The Gretsch Hollow Body that started it all for me. Filter'Tron pickups, Bigsby tremolo, and that unmistakable orange stain finish. Pure rockabilly gold.

2021
My first serious acoustic. The Sitka spruce top and East Indian rosewood back and sides produce that classic Martin boom. Perfect for fingerpicking and strumming.

2019
My main gigging guitar for the last 5 years. The semi-hollow body gives it that warm, woody tone perfect for jazz and blues. Cherry red finish, Burstbucker pickups.

1965
My pride and joy — a genuine '65 Strat I picked up at an estate sale in Austin. Original pickups, original tremolo, original sunburst finish. Plays like a dream.

2024
The Katana Gen 3 is the best practice amp under $300, full stop. Five channels, built-in effects, and the tone studio editor make it incredibly versatile. I use it for everything from jazz cleans to high-gain metal.
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